God of Truth – Very Short Story

Step by step he climbed the stone stairs that reached towards the heavens; blocks forged by an unknown maker – an unknown civilization – in the Latin American jungle. Taking a breath to rest, James marveled at the precision the blocks had been placed. Without cement, or anything else to bind the structure together, they have managed to build something to stand the test of time. It was truly doing more with less; creativity fueled by limitation.

How they were able to build such magnificent structures with simple stone tools was simply baffling. As he stroke the stone blocks that had turned green after centuries of neglect, James felt the sun’s warming rays on his neck as it rose above the trees.

It was another day, another opportunity to unearth the mysterious of this place. For so many years they’d believed the Aztecs and the Mayans were the creators of the pyramids, when in reality, there was another people predating them both – the architects of the entire Mesoamerican world.

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How To Make A Short Story Work

Making stories that you wanna make, and making the stories that people wanna read, can be two different things sometimes.

I have this short story, my very first short story in fact, called “Colony Sane” that I have been working on for almost a year now.

Writing the same story for such an extensive time can be exhausting, but it is, unfortunately, necessary when you are starting off as a writer. Because in the beginning of your writing career, or any career for that matter, you improve your craft incredibly fast; making slightly better garbage each time. Hence, my story has been revised more times that I can remember.

In any case, the idea was for the story to be around 30-40 pages long. But after some reviews, it seemed that was not possible. People wanted to learn more about the characters and the world I created, which is awesome criticism, but I didn’t want to make the story as long as they wanted it to be.

After my second major revision, I received the same criticism, that the world and the characters needed to be fleshed out. At this point, I considered ignoring the critique and simply publish it as it was. But I realised that their criticism wasn’t unfounded, it was their solution to the problem that was.

You see: more words doesn’t equal a better story. In fact, some of the greatest works are short stories.

So, how do you make a short story work then?

In my case, the problem was that the readers wanted to know more because the MC (Main Character) knew things that the readers didn’t. I had left out information just to keep the story short, which is a bad idea. The readers need to know exactly as much as the MC does, this is the key to a good short story.A lot of things can happen in the background and be implicit, but as long as the MC doesn’t know what’s going on, and sometimes never will, then the readers can accept not knowing as well.

I may end up expanding the story in the future, if the demand is high enough. Much like how Hugh Howey did with the Wool Trilogy. (Strongly recommend this story, by the way)

If you are curious, about Colony Sane, you can read it for free on Tablo. I am still editing it though

The City of ‘Deadlight’ – Very Short Story

He jerked his head up towards the sky and let the warming rays of the sun rejuvenate his spirits. With a deep breath, he returned to his notebook and scribbled skilfully the lines and shapes of what he saw. An hour went by and the sun slowly hid behind tall buildings that surrounded him.

As it fully disappeared, he relaxed and slumped on his bench. With a sigh, he looked around as the city darkened and a gloomy green light engulfed the city. ‘Deadlight’, he called them.

While looking around, he glanced at his sketchbook and frowned. He then stood hastily and walked down the crowded street, clenching his notebook tightly.

A shiver went down his spine as people whisked by him, chafing against his body. He tried his best to avoid them, but it was impossible, too many in such a small space.

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