When I write a story, the important thing isn’t in what order I place the scenes or to create a structure, the most important thing is to find the characters and their motivations. This means you’ll write very generally at first, for instance: When John came to his foster parents he was very sad.
This is a general sentence which can be explored more deeply, but right now, this is enough. But at a certain point, when you’ve come far enough into your story, you’ll need to know more about your characters to make sense of their actions later. This means you are forced to explore your characters’ feelings, for instance: It was quite in the car. Trees swooshed past them as he stared out the window, trying to make sense of everything that had happened to him. He wondered if his parents had always hated each other, or if it was just when he was born. His teacher had once told him that children came about from parents’ act of love… Did that apply to him?
(Of course this paragraph can be further refined but that is not our purpose at this point. Editing sentence to sound beautiful you should do last.)
With this, you learn so much more about the character which means his motivations become more apparent later on. This is the stage I often fail to go back to, thinking I don’t need to and just want to carry on with my story. But this is cheating, and the only one you cheat is yourself.
Hopefully, I’ll be better at catching those mistakes early and swallow my pride. My aim is to write as many stories as I can in my lifetime, but not at the cost of quality, or rather, the truthfulness of the tale.
I don’t want to lie.
It is comforting when I come to these realisations because it means I’m improving and is one step closer in becoming the writer I want to be.